After tomorrow, Ning Hao Jia Zhangke has become an actor?

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After tomorrow, Ning Hao Jia Zhangke has become an actor?

2022-06-24 12:32:34 9 ℃

Everyone has watched the movies directed by Ning Hao and Jia Zhangke.

16 years ago, Ning Hao's "Crazy Stone" Shi was shocked, and opened a new type of multi -line narrative comedy commercial film on the Chinese film market.

Earlier in 1998, Jia Zhangke used a "Xiao Wu" to present the story of the preders on the edge of the county -like county -like county like Italy.

One is the founder of Chinese multi -line narrative comedy, and the other is the leader of the literary film director.

Behind the tube, they are the creators of the movie.

We are familiar with their behind -the -scenes identity as "director", but who has seen the works that come to the stage as starring?

In 2065, the film became the art of sunset and was one of the "Intangible Cultural Heritage" displayed in the museum. Jia Zhangke became a "Master Jia" who pretended to make movies in the museum, and Ning Hao was a farmer in the fruit and vegetable garden in the suburbs ... The two were boring. The main entertainment activities were to go to the bar to go to the bar.

This is the fragment of the young director Xu Lei's science fiction movie "The Last Director of the Earth".

In this short film, Xu Lei set up a very absurd drama: 40 years later, the film became an artistic art, and what would Ning Hao and Jia Zhangke live.

In this short film, Jia Zhangke and Ning Hao became starring for the first time, playing "after tomorrow".

The future setting of this kind of civilization is not comedy in essence, but left a lot of humorous moments in the process of "playing themselves".

In 2065, Jia Zhangke, a retired director of Shanxi, sat in front of the floor -to -ceiling window while waiting for the robot and noodles and kneading.

"It's so good", he coincided with his emotion.

The camera was slightly closer, and we found that he was holding his own autobiography "Jia Xiang" in his hand.

For a moment, a collision between reality and art was collided. At the moment of seeing "Jia Xiang", everyone smiled at a time.

This is not enough, followed by the wrestling between Jia Zhangke and the robot in the response to the reality.

Jia Zhangke: "The face is too dry, put more water." Said to add some water to the robot and the basin.

The noodles set by the robot out of the program confront the golden ratio of water, and picked up the noodle bag and added a little noodle.

Jia Zhangke: "I am a Shanxi, and I don't know how to knead your noodles than your robot?" Continue to add water.

The robot continues to add noodles.

Add water, add noodles; add water, add noodles ...

The final result of competing with the robot and the leadership of the face was that Jia Zhangke, Shanxi, couldn't fight, and faced the face with flour. Whether it is the professional identity of the "director" or the property attributes of "Shanxi", Jia Zhangke can be described as defeated.

The short film touched a proposition that was still unsolved with this weightlifting paragraph -who would laugh at the end of the wrestling of human and AI, traditional and technology wrestling?

The beauty of this small paragraph is that no matter if you have seen "Jia Xiang", no matter whether you know Jia Zhangke, different audiences can gain their happiness from it.

This timeless humor and inadvertent absurdity are the distinctive style of Xu Lei.

He has always been very good at looking for creative gaps in the boundaries of reality and art. This short film continues the creative style of his long film debut "Sherlock on the Plain", with a few ironic and sorrow in humor.

In "Sherlock on the Plain", we have seen the long -lost northern villages and farmers. Their cunning life wisdom often makes people cry. What's more interesting is that the two starring characters of the film Xu Chaoying and Zhang Zhanyi also played themselves in the film, just like the two starring actors in "The Final Director of the Earth".

The actor played himself, so that Xu Lei's works had a natural flow of natural flow.

Whether it is "Sherlock on the Plain" and "The Final Director of the Earth", they are also true and fantasy. Between reality and art, in the gap between cities and rural areas, there is a black humorous space belonging to Xu Lei.

In "The Final Director of the Earth", the two old directors were giving gifts and meals in order to run for non -genetic inheritors. This was originally a ironic paragraph, but due to the charm of the two starring actors, the audience had a mentality of understanding and experience. It showed goodwill and tolerance in the viewing, and finally achieved the effect of mild irony comedy.

This is of course the charm of the casting, and the charm of Jia Zhangke and Ning Hao in this movie is not only here, but also that they have extended multiple narrative spaces in the sense of the short film.

In the scene of the two directors go to the bar jumpy, Jia Zhangke chatted with Ning Hao, mentioning their respective masterpieces, and tried to Ning Hao's "Crazy Series" and Jia Zhangke's "Xiao Wu", "Platform" and "Children of the Rivers and Lakes".

Specifically, the two people's jumping pictures and the addition of many popular music elements can be called the extraction of Jia Dao's works, projecting the time and space of Jia Dao's movie other than a short film.

In Ning Hao, Xu Lei paid tribute to the type of film director from the shooting method. He combined various types of film shooting. The vegetable field that Ning Hao stayed, and the lens language created the atmosphere between the western and science fiction films. There was a kind of desolation of the old father who sat alone in the corn field in the "Star Cross".

Not only the type of film attributes of Ning Hao's works, Xu Lei also made an article on his director identity.

Ning Hao in 2065, although it has become a farmer, it is still difficult to change the director's occupational disease, and he has to give "actors" anytime, anywhere. The farmer Ning Hao grabbed a few children who stole melon, forcing them to eat the stealing watermelon to go home. Several children couldn't eat, trying to impress farmers with fake crying.

At the clinker, farmer Ning Hao glanced at the children's fake crying, occupational disease attacks, turned back to director Ning Hao, and began to guide the children.

"Invest a little ... hey, right, it's better now."

In the story of the future film that is about to disappear, and the director's declined story context, the love of the two "old directors" for their profession makes people leave a little bit in addition to laughter.

At present, only a long film Xu Lei has further established its own narrative style in this short film, so that we have more reason to have more expectations for his later works.

In fact, Xu Lei's short film is one of the "Great World Gacha Machines" launched by Station B and bad monkeys. Under this new movie short film label, a group of young directors like him created with different topics, showing their respective sharpness.

"The Final Director of the Earth" is Xu Lei's work under the theme of "Tomorrow".

Regarding "After Tomorrow", several other young directors gave their own different answers.

Director Wen Shipei, who is also released by a long -term debut, focuses on the theme of "Tomorrow" focusing on future people's perception of time and emotions.

In Wen Shipei's long film "Tropical", he created a thick and humid tropical image atmosphere in the rain forest. In addition to the stories of multi -line narrative, the bold and beautiful colors and delicate and delicate lust have become unforgettable image labels.

In the new movie short film "Killing Time", Wen Shipei continued his video style in the long film. Even with a more free gesture, he paid tribute to many classic films, and secretly provided fans with one after another.

The short film tells how the main problem that human beings need to face the long time in the near future, how to spend a long time. Under this framework, Wen Shipei did not conceal his fans' attributes and shattered and recreated the classic games and movies around the millennium.

The impressive in the short film is that the image style, the sense of game, the sense of futuristic, and the collision between the future space and the real rain forest and the lake and the sea ...

In the game of the virtual server, the fight between Zhang Yu and Li Manyu reveals the shadow of "The Matrix" in the character shape and image, and in the "10,000" game task settings, the "Kill The meaning of death Bill.

We saw the shadow of many types of films from this short film, one after another, and one after another, which is a surprise waiting for everyone to dig.

Not only is the audiovisual style energy, but in terms of emotional intensity, this film is also very dare to shoot.

There is a very explosive 360 ​​-degree kiss long shot in the film. The whole kiss scene was very dramatic. In the end, Zhang Yu and Li Manzheng kissed to the end.

The entire scene is presented in the form of dance, which strengthens the poetic attributes of the camera. Actors' emotions and lens language have completed a complete process of emotion.

Encounter, sucking, tentative, acceptance, trust, love, cracks, grievances, separation.

Every point of feelings is in this 360 -degree kiss scene.

I believe that this shot will become one of the hot spots after going online tonight.

In terms of general land, this "Killing Time" has made style, content, and the personal purpose of the director under the volume of the short film. Director Wen Shipei wrote a movie love letter with light and shadow.

Unlike Xu Lei and Wen Shipei, the directors have given more audiences to more audiences through the variety shows of the "Director" of "Director".

Under the theme of "Tomorrow", the short film "Hello, Goodbye" presented her consistent delicateness and tenderness.

In the future, human beings in time and space have an information receiving button on their heads. Blue means willingness to communicate, and red means only the necessary communication within ten sentences.

Under such time and space, she continued her delicate and gentle works.

In the short film, Meimei (Zhang Zifeng) and Guo Qilin are colleagues of shopping guide at the beauty shop. Every day, the indifference, rejection, and ignorance of the guests are accumulating the sense of weakness of beauty.

It seems that everyone can get at least ten communication permissions through a wearable information button. In fact, everyone will communicate within ten sentences. Refusing to deepen real emotional exchanges has become their norm.

Under science and technology, the alienation and indifference between people were given to people.

Her tenderness is that she always gives the character a bright color in the story.

In the subway compartment where people come and go, strange boys hand a paper towel to the crying Meimei, and the shopping guide played by Guo Qilin comforts the affectionate girl on the subway ...

These fine -hearted kindness, from strange boys to beauty, from Guo Qilin to the next strange girl, sprinkled a little light in the life of each other.

As the short film is about to end, the colleagues played by Guo Qilin confessed the emotions of Zhang Zifeng, and also found a stranger who had given her gentleness.

This delicate technique and abundant emotions have basically foreshadows the creative trend of the future.

The last short film with the theme of "Tomorrow" is "One Holiday" from director Wu Chenzheng. This is also the only short film cut into a children's perspective under this theme. The little protagonist in the film is Han Haolin, a child star that everyone is very familiar with. The topic of the story is to send the elderly to the nursing home.

Although it is a short film, it is very flat and rich in the layout of details, and encounters discussion on emotion and meaning of life.

There is a detail in the film. I like it very much. The grandfather brings a pack of snail lion powder. In the era when I was used to using a capsule capsule to quickly solve the problem of eating. waste.

"Eating or eating a capsule capsule", this seemingly details that seem to have nothing to do with the theme of the story are just hiding the meaning behind the theme -those things that work hard and even useless may be the emotion and meaning of life.

It's like a mother -in -law live broadcast all day long. Dad stays up all night to work overtime every day, earn money to make money, work for work, and wait until stopped, and only to find that the meaning of forgetting the work should be given to the family. Essence

After walking through the industry's decline, the prosperity of technology, and the economic leap, it was finally discovered that life is so good that there is food, there is food, home, and dreams.

The intelligence of these young creators is that they know that the starting point of "after tomorrow" is from today, so they do not forget their reflection on reality and the meaning of film ontology.

At the beginning, I remembered that "The Final Director of the Earth" at the beginning Jia Zhangke reproduced the film shooting in the museum.

He devoted himself to all the changes in every subtle expression of the actor after the monitor, and strived for every shot to excel.

Even if he reproduces the film shooting process in the museum and plays the role of the director, he still has an unsightly seriousness and love.

In the film, this paragraph has a serious attribute to deconstruct the topic with self -deprecation.

But out of the film, it is precisely the seriousness and love of this "unsuitable", which drives generations of creators to devote each other to the creation of the movie.

The freshness and youth of the movie is not that it is the youngest art form, but that young creators always have passion, inspiration, and love to devote themselves to them.

Just like the "Great World Gacha Machine" we talked about today, behind each movie, there is a new director and new style, bringing the new sound they want to make this world.

In the entire "Gacha Machine", in addition to the theme of "Tomorrow" we talked today, there are also many theme sequences such as "before growing", "above love", and "under youth". Different short videos responded by different young directors.

Starting tonight, every Thursday at 18:00, these stories are waiting for everyone to twist and feel the unknown freshness and surprise.

It is difficult to say which short film will different friends prefer, but it is foreseeable that in the "Great World Gacha Machine", a multi -universe belonging to the new generation director will be hidden in the new generation director. Twist the new possibility of Chinese movies.